Qinmin Liu (AP '17) presents a new video work, LI MIN, with Li Shurui at 456 Broadway this Saturday, April 22.
Alexandra Hammond (AP '15) and Gloria Houng present "Standard Double," a one-night pop-up show at the William Vale Hotel in Williamsburg, Brooklyn tonight, Friday April 21. The show is accompanied by an essay by AP staff member Allison Hewitt Ward and talk by Sabine Flach, Ph.D.
Quinn Dukes (AP '14) performs live tonight (4/13) in "KarnaL KriminaLz [fujeetiv fleshh]" at The Woods Cooperative in Ridgewood, Queens.
The MFA Art Practice program at the School of Visual Arts is pleased to present our Summer 2017 Keynote speakers: Mark Dion and J Morgan Puett. Dion and Puett are co-directors of Mildred's Lane in northeastern Pennsylvania.
Zaire Kaczmarski (AP '18) presents "The Collective Experience of the Gaze: Challenging the Conventions of Fashion" at Clad In Women's Fashion Boutique in Providence, Rhode Island.
The MFA Art Practice program at the School of Visual Arts is thrilled to announce our 2017 Artist-in-Residence Rhonda Weppler.
The daily repetition of the image helps reflect the uncharacteristic compression of the real, the fake, the truths, and lies. — Anthony Hawley (AP '14) in Hyperallergic.
Phil Rabovsky (AP '18) is showing work with Lane Sell in "Too Late: The European Can^non is Here" opening Friday, March 24 at Shoestring Press in Brooklyn.
Tyler Green interviews AP faculty member Dara Birnbaum for the Modern Art Notes Podcast.
Robin Winters (AP Faculty) is represented by Vilma Gold at the 2017 Armory Show, open through March 5 in booth 814.
Conversations: Art + Ideas
AP faculty member Tim Rollins responds to the AP Questionnaire.
Thyrza Nichols Goodeve writes about fellow Art Practice faculty Robin Winters’ current exhibition at Present Company, in Brooklyn, New York.
Alexis Rockman in conversation with Bryan Anthony Moore
In her contribution to the catalog for the upcoming exhibition “Highways and Rest Stops: Passages in Current Practice,” co-curator Jacquelyn Strycker discusses the ontology and imagination of the American highway.
In her contribution to the catalog for the upcoming exhibition “Highways and Rest Stops: Passages in Current Practice,” co-curator Allison Hewitt Ward explores the history, architecture and anthropology of highway rest stops in the United States. Juxtaposing the distinct theories of space and place presented by Marc Augé and Michel Foucault, she proposes a dual character for rest stops as both non-places and spaces of representation